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#1
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new Criterions for december
The Qatsi Trilogy
Purple Noon Following Brazil ![]() ![]() ![]() ![]() ![]() ![]() ![]() http://www.criterion.com/library/exp...s=release_date
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"Someone like Jean-Luc Godard is for me intellectual counterfeit money when compared to a good kung fu film." - Werner Herzog |
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#2
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Brazil?
Wasn't that one already in the collection? |
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#3
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The only release that I have some interest in is The Qatsi Trilogy.
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Top 10 Films of the 21st Century |
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#4
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Not on blu-ray
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"Someone like Jean-Luc Godard is for me intellectual counterfeit money when compared to a good kung fu film." - Werner Herzog |
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#5
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Very cool. The covers for the Qatsi trilogy are stunning. Also, hooray for Nolan and Brazil.
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You've wandered from the proper path, haven't you? |
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#6
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Nice covers, but that's to be expected. Has anyone here seen Purple Noon? I'm interested in seeing it, but I don't think I've ever seen it discussed here.
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LAST SEEN: Clerks (Smith, 1994) -- 8/10 Traffic (Soderbergh, 2000) -- 9/10 Transformers: Dark of the Moon (Bay, 2011) -- 7/10 Battle: Los Angeles (Liebesman, 2011) -- 3.5/10 The Music Room (Ray, 1958) -- 10/10 __________________ 4K: Blu-ray Collection | Viewing Thread |
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#7
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It's good.
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"So, you see, he was condemned to walk in darkness a quadrillion kilometres (we've adopted the metric system, you know)..." █████████████████████████████████████████████ █████The Devil, The Brothers Karamazov |
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#8
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__________________
LAST SEEN: Clerks (Smith, 1994) -- 8/10 Traffic (Soderbergh, 2000) -- 9/10 Transformers: Dark of the Moon (Bay, 2011) -- 7/10 Battle: Los Angeles (Liebesman, 2011) -- 3.5/10 The Music Room (Ray, 1958) -- 10/10 __________________ 4K: Blu-ray Collection | Viewing Thread |
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#9
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Isn't Purple Noon an adaptation of The Talented Mr. Ripley?
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"Someone like Jean-Luc Godard is for me intellectual counterfeit money when compared to a good kung fu film." - Werner Herzog |
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#10
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Following is a good film. Brazil however, is a GREAT movie.
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#11
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Well, it's the most subtle of the Highsmith adaptations that I've seen. (The Talented Mr. Ripley is the least subtle.)
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"So, you see, he was condemned to walk in darkness a quadrillion kilometres (we've adopted the metric system, you know)..." █████████████████████████████████████████████ █████The Devil, The Brothers Karamazov |
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#12
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It's the best of the Tom Ripley adaptations. Imagine a more economical, less florid version of Minghella's The Talented Mr. Ripley, one that skews more toward the material's noir roots, and you'll have a pretty good idea of what Purple Noon is all about.
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GO TO MY THREAD! I swear I'll finish at some point. |
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#13
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I haven't seen The Talented Mr. Ripley, but your talk of economy and noir roots has me intrigued.
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LAST SEEN: Clerks (Smith, 1994) -- 8/10 Traffic (Soderbergh, 2000) -- 9/10 Transformers: Dark of the Moon (Bay, 2011) -- 7/10 Battle: Los Angeles (Liebesman, 2011) -- 3.5/10 The Music Room (Ray, 1958) -- 10/10 __________________ 4K: Blu-ray Collection | Viewing Thread |
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#14
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Purple Noon left almost zero impression on me. I think you'd suggested The American Friend a ways back, and that one stands the tallest in my mind. Something in its crabwise style.
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#15
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The American Friend is fantastic as well. But in terms of adaptation, I think Wenders stamps his sensibility on the material more than he's faithful to Highsmith's sensibilities. If you're looking for the purest representation of a Ripley novel on film, it's Purple Noon. But that might not be everyone's bag.
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GO TO MY THREAD! I swear I'll finish at some point. |
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#16
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#17
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Quote:
Wouldn't know, as I haven't read her. As far as the film goes, it was certainly stripped down, but I was at a loss identifying whatever nuance was supposed to carry it along. |
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#18
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I was hoping they would add The Talented Mr. Ripley as well, since it's a masterpiece.
But Koyaanisqatsi yesssss. Never got into Brazil.
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I love you. I really like you Hardy Boy. Just saying... - LillyVon |
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#19
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Listen up, Santa.
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Last Seen Silver Linings Playbook (Russell, 12) Magic Mike (Soderbergh, 12) Star Trek VI: The Undiscovered Country (Meyer, 91) The Invisible War (Dick, 12) Star Trek II: The Wrath of Khan (Meyer, 82) Star Trek Into Darkness (Abrams, 13) Iron Man 3 (Black, 13) |
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#20
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I already have the Criterion Brazil on DVD, but I got it for an absolute STEAL at $2 from a used DVD store that didn't know the value of Criterions. With that in mind, I might buy the Blu-ray of it because (1) it's one of my favorite films, (2) it sends a message to Criterion (voting with your wallet, etc.), and (3) I'm sure it supports Gilliam in some way. Even if only by means of future Criterion releases of his films, should Brazil sell well.
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When my time to go is near, tell my friends to gather here, Tell the Doctor and the Preacher that I'm failing. But forget about your black, 'cause I'm planning to come back, Play some honking-tonking grief and Dixie Wailing. |
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#21
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I'm a bit more appreciative of Purple Noon than Ergill. Its virtues are more sensual than intellectual - rich cinematography, an excellent Alain Delon performance, the tension among the leads is comparable to Polanski's Knife in the Water. I think it's at the very least worth a watch.
Brazil is the best of these. I'm not sure if Following is deserving of the Criterion treatment. Certainly not a bad film, but hardly a classic. I felt the same way about Fincher's The Game. I've only seen the first of the Quatsi trilogy, but it's a lovely film, even if I get tempted to turn down the Phillip Glass in favor of some other preferred soundtrack.
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Your hand will lead you to fruit -- Bill Murray |
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#22
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Koyaanisqatsi in Blu-Ray? Oh God I'm not ready for this.
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#23
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Quote:
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Season 4 [of The Wire] is like getting your dick ridden by the goddess Aphrodite while Marilyn Monroe is rubbing her snatch in your face. But it's all happening in your soul. - runawayrunaway |
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#24
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I've only seen Koyaanisqatsi, so I'll be pleased to see the rest of the trilogy in blu ray. I'm not so big on the choice of Following, but they gotta do what they gotta do. Brazil is, I guess, one of those glaring omissions of films I haven't seen yet.
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Top Ten Films of 2012 (tentative/subject to change) 1. Cosmopolis (David Cronenberg, Canada/France/Portugal/Italy) 2. Holy Motors (Leos Carax, France/Germany) 3. The Hunter (Rafi Pitts, Iran) 4. Bernie (Richard Linklater, USA) 5. The Deep Blue Sea (Terence Davies, UK/USA) 6. Life of Pi (Ang Lee, China/USA) 7. Twixt (Francis Ford Coppola, USA) 8. Lore (Cate Shortland, Australia/Germany/UK) 9. Beasts of the Southern Wild (Benh Zeitlin, USA) 10. Monsieur Lazhar (Phillipe Falardeau, Canada) Last edited by TheArshMan; 09-18-2012 at 08:16 AM. |
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#25
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Finally, a decent, widely available copy of Koyaanisqatsi. Coincides well with Samsara, too.
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Stolen Memories - A New Film by The Godtomato Filmed in Panavision: A Tribute to Anamorphic Cinematography Unapologetic Roger Ebert Disciple |
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#26
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Quote:
I get what you're saying, but hell quite a lot of Godard's films are on Criterion, and he wasn't exactly on the same level as Akira Kurosawa when it came to producing classic films. Not a jab at Godard since I love the guy, but some of his films on Criterion aren't noteworthy classics, and he's just one example. Last edited by moronicfables; 09-18-2012 at 10:45 AM. |
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